Egbe, A. (2023, June). Near neighbours: Artificial intelligence and anti-racism as an activating pursuit in archival moving image practice. Paper presented at Eye International Conference 2023 Activating the Archive Audiovisual Collections and Civic Engagement, Global Collaboration and Societal Change, Eye Filmmuseum, Amsterdam.
Egbe, A., Heftberger, A., Holloway, W., Anton Smith, P., & van Gompel, S. (2023, May). Conversations in copyright, creativity and culture. Presented at Open Sesame: Copyright, Creativity and Culture, Bournemouth University. Available from https://uwe-repository.worktribe.com/output/10828715
Egbe, A. (2023, April). Co-creating anti-racist datasets in AI workflows utilising films as data. Presented at AI and Archives: Explorations, Possibilities and Challenges, University of Sussex. Available from https://uwe-repository.worktribe.com/output/10828711
Egbe, A. & Novakovic, R (2019) Listening, looking, acting: archiving resistance against racism and nationalism in the 1990’s, through online audio-visual materials. Digital Memory Practices in and after conflict workshop, Center for Comparative Conflict Studies at the Faculty of Media and Communications (FMK), Singidunum University Belgrade, Serbia. September 18 -20, 2019.
Egbe, A. & Novakovic, R (2019) Viewing, listening and waiting: explorations of the visual representations of anti-racism, anti-war and anti-nationalist protest. IIPPE Conference 2019, University of Lille.
Egbe, A. & Novakovic, R (2019) Where Were You in 1992?: Fighting Racism, Fascism and Nationalism, Activism in the 90s. Birmingham Centre for Media and Cultural Research, Birmingham City University, February 8, 2019.
Egbe, A. & Novakovic, R. (2018) Activating Media, Memory and Resistances: Where Were You in 1992?. Besides the Screen 2018, Kings College, University of London, UK.
Egbe, A., Op den Kamp, C. (2016)“Thomas Edison’s Kinetoscope and the Campaign to Control the Film Industry” Besides the Screen Geometry/projection/performance Conference, Coventry University 20 – 22 July, 2016
Egbe A. (2016) “Mnemosyne Moving Image Archive: Ethics and assemblage as a radical archival practice”, Doing Women’s Film and Television History III Conference, 2016 Conference, De Montfort University, Leicester, UK, May 18 – 20, 2016
Egbe, A. & Novakovic, R. (2016) “The Cinemembrane” Radical Film Network Unconference, University of Glasgow, UK, April 29 – 2 May 2016
Egbe, A. (2015) “Letter from an Unknown Woman: Moving Images, Meaning Making and Transmedia Practices”, RIMAP Seminar Series 2015/16, University of Bedfordshire, UK (2, December)
Egbe A. (2014) Experiencing Reality through the Optical Printer – International Lisbon Conference on Philosophy and Film, Faculty of Letters, University of Lisbon, (5-10 June, 2014)
Egbe A. (2014) "Technology, Exchange and Flow: Artistic Media Practices and Commercial Application" — Advertising and the Dynamics of Cultural Exchange Managing Popular Culture? Emergence, Strategy and the Development of Popular Phenomena, Karlshochschule International University, Karlsruhe (30 January – 1 February 2014)
Egbe A. (2013) Media Archaeologies and the Moving Image Archive. Public Dialogues 2013: ‘At the Interlude: Between Body, Artifact and Discourse’ Transtechnology Research, Plymouth University, UK, (12-14 July)
Egbe, A. (2013) Notions on a radical moving image archive practice as a problematic [poster presentation]. Lure of the New, Cognition Institute launch and conference, University of Plymouth, Plymouth, UK. 21st March
Erasmus IP workshop, Gdansk University of Technology, 9-22 October 2011 ‘Art & Science – Synergy of Technology and Art in the City Spaces’ – Workshops with artists, designers, architects and researchers
Egbe, A. (2012) Towards a structural materialist Archive: the (Im)material aspects of duplication. Channelling the Film Archive: Policy, Material and (Re) use Panel, Besides the Screen, Conference, Goldsmiths College, University of London (1-2 December)
Egbe, A. (2011) National Review of Live Art Archive. Re-make/Re-model: Performing Documents, Spike Island, Bristol, UK, 27 September
Egbe, A. (2011) National Review of Live Art Archive. CAiRO (Curating Artistic Research Output) Summer School, University of Bristol, UK, 29-30 June
Egbe, A. (2010) Spaces of Historical Illusion: Moving Image Document as Panorama. In: Blassnigg, M., Drayson, H., Punt, M., Vines, J., Zics, B. 2010. Transtechnology Research Reader 2010, Postdigital Press, UK
Egbe, A. (2010) Approaches to Representing the Unrepresentable in Moving Image Archives British Comparative Literature Association XII International ‘Archive’ Conference, University of Kent, UK, 6 July 2010
Egbe A. (Summer 2023) Paper tensions: From flipbooks to scanners the role of paper in moving image practices. In Breakwell, S., Russell, W. eds. Materialities. Routledge.
Egbe A. (2020) Veils and Sensors: An Artistic Intervention with Archival Moving Image Material. EVA Conference Proceedings
Egbe A. (2020) Between Copyright and Creativity: Edison’s Kinetoscope and Technological Innovations in Optical Printing. In Crisp, V., Gonring, G. Menotti eds. Practices of Projection: Histories and Technologies. Oxford University Press
Egbe A. (2016) [Review] Avant – Garde Museology, Leonardo Reviews, May 2016
Egbe A. (2016) [Review] Writing and Unwriting (Media) Art History: Erkki Kurenniemi in 2048, Leonardo Reviews, May 2016
Egbe, A. (2014) [Review] Between the Black Box and the White Cube: Expanded Cinema and Post War Art by Andrew V. Uroskie, University of Chicago Press, 2014 Leonardo Reviews
Egbe, A., Woodward, M. (2013) The (Im)material Aspects of Film Duplication: The Optical Printer as a Philosophical Apparatus, In Blassnigg, M., Drayson, H., Punt, M., ed. Transtechnology Research Reader 2012/2103: Deep History, Contingency and the Sublime, Postdigital Press, UK
Egbe, A. (2010) Spaces of Historical Illusion: Moving Image Document as Panorama. In: Blassnigg, M., Drayson, H., Punt, M., Vines, J., Zics, B. ed. Transtechnology Research Reader 2010, Postdigital Press, UK